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Minor White
Born 1908 (Minneapolis (USA)) Died 1976

Work:
White used photography to create severe landscapes. He was influences by the Photo-Secessionist group led by Alfred Stieglitz. White was never convinced that photography was an objective medium presenting a true vision of the world. "Photography + observer=picture in the imagination" and he believed that he could express any statement or mood he wished to convey.

 

Themes:
Form of the land (to take naturally occurring patterns and textures and present them in an interesting and unusual way)
Light and tone (using natural lighting he produced images that emphasised shape, texture and form)
Beauty of nature (looking at the world in a new way to make things appear strange)
Time in the environment/movement (using shutter speeds to capture time)
Nude (photographs of the body, often he photographs the male body- working against stereotypical photographs-the male gaze on a female body)
Ephemera (the ravages of nature of forms)

Connections with other photographers:
Edward Weston
Imogen Cunningham
Ansel Adams
Paul Caponigro
Aaron Siskind
Eliot Porter

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Minor White
Pacific
1946

 

Minor White
Ying and Yang
1963