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Josef Sudek
Born Kolin Prague (former Czech Rep)1896 Died 1976

Work:
He trained originally as a bookbinder. He started taking amateur photographs from 1913. He was wounded at the Italian front in 1917 and had to have his right arm amputated. He began taking photographs intensively and in 1922 he studied at the State Graphic School in Prague. In 1924 he bacame the founder of the Czech Photographic Society. In 1950 he explored photographing with a panoramic camera. He was interested in depicted light and shade. His work presents a desire to use photograph to preserve fleeting moments that only exist for a split second. His work creates an extremely claustrophobic space with the use of dark tonalities featuring in his representations of rooms and wider spaces. His skill was creating atmospheric images, spaces filled with emotion and intense reflection (perhaps conveying the political climate in which he worked).
"I made the potency of light clear to myself through still lifes. Still lifes were my laboratory. Photographers should do still lifes. There the photographer has free will. He places thigns wherever he wants to, puts them as he likes, does it with any kind of light. I don't know what other subject would give such freedom." Josef Sudek (Slovnik Misto Pameti)
Sudek was largely unknown outside of Prague until his panoramic photographs were published in 1959.

 

Themes :
Still lives
The City (Prague)
Portraits (friends and family)
Home (captured moments, mundane as beautiful)
Landscapes and gardens
Presence by Absence (expecting a human presence in a picture, Janaceks house)

Romanticism
Time (weather transitions, time presenting change and decay)
Reflections (through a window, in and through glass)

 

Jan Sudek
Still Life according to Navratil
1958

 

Jan Sudek
Pankrac, on the outskirts of Prague
1959

Jan Sudek
Chair in Janaceks House
1972

 

Jan Sudek
Still Life with an Apricot
1956

Jan Sudek
Still Life on the Windowsill
1954

Jan Sudek
Tidings of Spring
1940-54

 

Connections to other photographers:
Keith Arnatt (materials and how they decay)
John Blakemore (contrasting surfaces, natural forms and man made, interest in time and decay)
Robert Mapplethorpe (interest in contrast, shape and form)

Imogen Cunningham (objective record also recorded both body forms and natural forms)
Alfred Stieglitz
(equivalence cloud series the body and its similarities to clouds, natural forms and the body, objective record)
J John Priola (the image as conveying a fleeting moment)